(in two)
I’ve been having quite a problem recently
    Bb&                 A                     Dm
Which is quite disturbing musicalically
    	   Bb	               A                    Dm
Involving a semitonal discrepancy
    Bb                  A/Bb*             Dm
Vocally and instrumentally
Gm			     A (Bbo/A**) (A)

(a tempo)
You see musicians of different varieties
Prefer playing in particular keys
And singers, too, treat preferentially
Those notes they tackle more proficiently


Now you don’t have to be a member of MENSA
    		Bb	         A              Dm
To understand the depths of my dilemma
      Gm	                             A                  
The two elements of me favour two different keys
              Bb  Gm       Dm        Gm  Eo          Dm
Thus a rift betwixt my fingers and my tenor
           Eo7                   A7(b9)               Dm


I love nothing more than playing instruments in F
Bb                                                 F
It warms the very cockles of my heart.
    Gm                                           A
The trouble is that F can leave me vocally bereft, you see
       Bb                                            F
I like playing in F major… but I like singing in F sharp
           Eo7                      A7(b9)                           Dm

I refuse to be beholden to my hands
I don’t see why my larynx should give in to their demands
I will not be forced to compromise my art
And so I just keep playing in F major and singing in F sharp
F sharp, F sharp, F sharp

F sharp
I’ll just keep playing in F major but I’ll keep singing in F sharp
                      Gm                       C7                                      F        (F C7 F)

&Bb can be played as Bb/G to make a Gm7 anywhere if it sounds more right to you. Sounds like a Bb in the bass to me, but I’m not sure.

*=not sure, it’s probably an accordion thing. Easy mode=play it normal, Bb->A->D. Hard mode=look at the first page of the thread for what that music has.

**This is that odd chord. Easy mode=A (Dm/A) (A), which sounds alright but not quite right. The little “o” means diminished (don’t know the alt code for the superscript degree symbol), which makes it an A7(b9), for those who are really technical.